Appear to Resonance, Inhabit Profundity: Photography and Ethnicity in ‘Mali’ by Jean-Baptiste Huynh
This work take as reference the photographic and exhibition project 'Mali', by Jean-Baptiste Huynh, based on the analysis of the plastic and phenomenological dimension of the portraits to think about the construction of the power of the photographic inn in different supports and exhibition...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2022 |
| Country: | Brasil |
| Institution: | Universidade Federal de Goiás (UFG) |
| Repository: | Visualidades (Online) |
| Language: | Portuguese |
| OAI Identifier: | oai:ojs.revistas.ufg.br:article/60470 |
| Online Access: | https://revistas.ufg.br/VISUAL/article/view/60470 |
| Access Level: | Open access |
| Keyword: | Photography Ethnicity Portrait Fotografia Etnicidade Retrato Fotografía Etnicidad |
| Summary: | This work take as reference the photographic and exhibition project 'Mali', by Jean-Baptiste Huynh, based on the analysis of the plastic and phenomenological dimension of the portraits to think about the construction of the power of the photographic inn in different supports and exhibition dimensions. Based on the individuation of the Maltese faces and the capture of expressive records, we study how these portraits are mobilized in a double process: the photographic dimension seen as an attempt to provide a prototypical alterity that summons the optimism of the gaze, and the relationship between coding and aesthetic form. |
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