Ironia e intertextualidade em Videiras de cristal

Along the literary work Videiras de Cristal written by Luiz Antônio de Assis Brasil, is notorious the intense dialogue with other texts. It means a wide process of intertextuality. The intertextual connections with the biblical texts are worth of attention specially on the New Testament. From the li...

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Detalles Bibliográficos
Autor: Röhrig, Adriana
Tipo de recurso: tesis doctoral
Estado:Versión publicada
Fecha de publicación:2014
País:Brasil
Institución:Universidade Federal de Santa Maria (UFSM)
Repositorio:Manancial - Repositório Digital da UFSM
Idioma:portugués
OAI Identifier:oai:repositorio.ufsm.br:1/3993
Acceso en línea:http://repositorio.ufsm.br/handle/1/3993
Access Level:acceso abierto
Palabra clave:Videiras de cristal
Ironia
Intertextualidade
Bíblia
Irony
Intertextuality
Holy bible
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
Descripción
Sumario:Along the literary work Videiras de Cristal written by Luiz Antônio de Assis Brasil, is notorious the intense dialogue with other texts. It means a wide process of intertextuality. The intertextual connections with the biblical texts are worth of attention specially on the New Testament. From the light of Gennete, Bakhtin among others theoricians‟ propositions was analysed how are estabilished the relations between the novel Videiras de Cristal and the Holy Bible, as well their purposes. By the irony and intertextuality perspectives was observed how each process take place and the objective underlying these concepts along the literary text of Assis Brasil. The defended thesis is the concerning on the valorization of a historical fact revisited by the book and resized through the forged dialogues. It is understood this fact assumes through the literary work the status of a mere historical text would not have. The body of this research is composed by four chapters. On the first chapter is made a bibliographical review over the constitution of Novel and the Modern Age, over the author and his work, and also the factual basis of the analysed writing. On the second chapter is argued the possibility to classify Assis Brasil‟s novel as historical novel and on the last two chapters is made an analysis of the characters and the narrative itself aiming to check the intertextuality faces and a related dialogism present and inherent to Videiras de Cristal.