Metalinguistic frames and framing: dialogic intonations in Jorge Furtado's cinema
This article seeks to develop a critical reading of Basic Sanitation, the movie, from 2007, directed and scripted by Jorge Furtado, with special attention to the mechanisms that the work uses in order to build its plot permeated by intertextual elements, from rearticulated uses that resignify them t...
| Autores: | , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2022 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Intexto (Porto Alegre) |
| Idioma: | portugués |
| OAI Identifier: | oai:seer.ufrgs.br:article/119398 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/intexto/article/view/119398 |
| Access Level: | acceso abierto |
| Palabra clave: | dialogism intonation Jorge Furtado Bakhtin circle metalanguage dialogismo entonação círculo de Bakhtin metalinguagem |
| Sumario: | This article seeks to develop a critical reading of Basic Sanitation, the movie, from 2007, directed and scripted by Jorge Furtado, with special attention to the mechanisms that the work uses in order to build its plot permeated by intertextual elements, from rearticulated uses that resignify them through intonation. For this, we will take as support the dialogic theory of discourse, from the Bakthin Circle, observing aspects of the filmic text and its production context, investigating recurrent elements in Jorge Furtado's feature film, with attention to its metalinguistic dimension in structures and framings that characterize the director's style marks. |
|---|