ENTRE A CAPITAL E O INTERIOR, A CONSTRUÇÃO E A DESTRUIÇÃO: A BOATE AZUL DE MARY VIEIRA E AS MARGENS DO PATRIMÔNIO
The paper discuss Boate Azul, designed by Mary Vieira, and proposes a narrative from three diferent moments: its construction (1947); its destruction (2011); and its resignification throught Boate Azul Project, developed by Pedro Vieira and Thiago Honório for the Museu de Arte da Pampulha (2016). A...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Pós (Universidade Federal de Minas Gerais. Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:periodicos.ufmg.br:article/15705 |
| Acceso en línea: | https://periodicos.ufmg.br/index.php/revistapos/article/view/15705 |
| Access Level: | acceso abierto |
| Palabra clave: | Mary Vieira Arte Contemporânea Restauro Contemporary Art Conservation |
| Sumario: | The paper discuss Boate Azul, designed by Mary Vieira, and proposes a narrative from three diferent moments: its construction (1947); its destruction (2011); and its resignification throught Boate Azul Project, developed by Pedro Vieira and Thiago Honório for the Museu de Arte da Pampulha (2016). A narrative that transits between the capital, Belo Horizonte, and the countryside, Poços de Caldas; between constructions and destructions of works, discourses and meanings and; finally, between what we recognize as heritage. A narrative that does not claim its insertion in the universality, but rather seeks to shed light on its marginality, articulating issues of restoration and contemporary art. |
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