THE HUNGER GAMES IS A UTOPIA? THE FEMININE AS A BRIDGE TO THE RETURN TO NATURE IN CONTEMPORARY DYSTOPIA
ABSTRACT Contemporary dystopia has distinguished itself from the canonic texts of the genre since it has problematized technology and is permeated by posthumanism. This update in the dystopian genre has a utopic subtext within the narrative. In it, utopia is only achieved by a return to nature; such...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Trabalhos em Lingüística Aplicada (Online) |
| Idioma: | inglés |
| OAI Identifier: | oai:scielo:S0103-18132019000200743 |
| Acceso en línea: | http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0103-18132019000200743 |
| Access Level: | acceso abierto |
| Palabra clave: | posthumanism dystopia utopia feminine nature |
| Sumario: | ABSTRACT Contemporary dystopia has distinguished itself from the canonic texts of the genre since it has problematized technology and is permeated by posthumanism. This update in the dystopian genre has a utopic subtext within the narrative. In it, utopia is only achieved by a return to nature; such a connection between humanity and nature will only be restored by the feminine who will work as a bridge to a posthuman relation among species. This paper will start from the contributions of Derrida (1997, 2008), Dunja M. Mohr (2007), Rita Terezinha Schmidt (2017) and Cary Wolfe (2009) to analyze the trilogy Hunger Games (2008, 2009, 2010), aiming to discuss epistemologically the utopic subtext. The paper will show that Rue and Katniss will create a strong bond with nature, being the last female character responsible to lead society to a posthuman utopic place. |
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