Contemplar o invisível: o caminhar pela cidade em As vozes de Marrakech de Elias Canetti
The present paper proposes to reflect on the role played by the invisible characters that figure in the narrative of Elias Canetti. The city of Marrakech emerges as the mediating space of the traveler's journey that takes a receptive look at what is heterogeneous, and allows himself to experien...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | Brasil |
| Institución: | Universidade Federal de Minas Gerais (UFMG) |
| Repositorio: | Repositório Institucional da UFMG |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.ufmg.br:1843/53979 |
| Acceso en línea: | https://doi.org/10.48075/rt.v14i31.17775 http://hdl.handle.net/1843/53979 https://orcid.org/0000-0002-5954-4358 |
| Access Level: | acceso abierto |
| Palabra clave: | Elias Canetti InvisibIlidade Estranhamento Canetti, Elias, 1905 Vida urbana |
| Sumario: | The present paper proposes to reflect on the role played by the invisible characters that figure in the narrative of Elias Canetti. The city of Marrakech emerges as the mediating space of the traveler's journey that takes a receptive look at what is heterogeneous, and allows himself to experience the most various sensations that the act of observing the other could provide. The main theoretical support for this text was the works of Francesco Careri, Luis Alberto Brandão, Michel Foucault and Joan W. Scott. |
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