Construcción, negociación y validación de la(s) masculinidad(es) en el cine “LGTB” español desde la Transición democrática hasta la actualidad
The following paper seeks to understand the polymorphic reality of masculinities by showing how cinema can be used as a historical basis to analyze the ruptures, links, clashes and resistances established between the hegemonic and the subordinate societal groups, understanding this relationship as a...
| Author: | |
|---|---|
| Format: | master thesis |
| Publication Date: | 2014 |
| Country: | España |
| Institution: | Universidad de Oviedo (UNIOVI) |
| Repository: | RUO. Repositorio Institucional de la Universidad de Oviedo |
| Language: | Spanish |
| OAI Identifier: | oai:digibuo.uniovi.es:10651/36352 |
| Online Access: | http://hdl.handle.net/10651/36352 |
| Access Level: | Open access |
| Keyword: | Género Feminismo Masculinidades LGTB |
| Summary: | The following paper seeks to understand the polymorphic reality of masculinities by showing how cinema can be used as a historical basis to analyze the ruptures, links, clashes and resistances established between the hegemonic and the subordinate societal groups, understanding this relationship as a contextual structure of analysis and not as fixed. Through the analysis of four movies created since the Spanish democratic Transition to the first years of the 21st century, the thesis wants to explore within the ideal masculinity discourse to test how the social practice is revealed like a kaleidoscope that projects multiple configurations from a common thread. |
|---|