Del rouge delator y la catacresis en el discurso identitario de La esquina es mi corazón, de Pedro Lemebel (In Memoriam)
The following analysis proposes an interpretation of the urban chronicles La esquina es mi corazón written by Pedro Lemebel as an identitarian-literary discourse: poetic proposal that configures, from the particular textual dimension of the urban chronicle, a discourse which is generic in terms of s...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2015 |
| Country: | Ecuador |
| Institution: | Universidad Andina Simón Bolivar |
| Repository: | Repositorio Universidad Andina Simón Bolivar |
| Language: | Spanish |
| OAI Identifier: | oai:repositorio.uasb.edu.ec:10644/5250 |
| Online Access: | http://hdl.handle.net/10644/5250 |
| Access Level: | Open access |
| Keyword: | LEMEBEL, PEDRO, 1952-2015 CRONISTAS LATINOAMERICANOS IDENTIDAD CULTURAL ESTUDIOS CULTURALES POÉTICA |
| Summary: | The following analysis proposes an interpretation of the urban chronicles La esquina es mi corazón written by Pedro Lemebel as an identitarian-literary discourse: poetic proposal that configures, from the particular textual dimension of the urban chronicle, a discourse which is generic in terms of sexual context and is also anti national. Making an attempt to dialogue with previous studies, this work focuses in two aspects not well attended by the critics but that are profoundly meaningful for the lemebelian production, and which here is conceived as his travesty poetics: the symbolism of denunciation and the catachresis resource. Cultural discourse and artistic configuration find in signs of contradiction a bridge by which this reading attempts to link society and literary imagination. |
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